camera or projector to secure the sharpest possible
image of the object.
FOG
­Nonimage photographic density. The defect is
due either to the action of a stray light, to improperly
compounded processing solutions, or to wrongly
stored or outdated photographic materials.
FOREGROUND (PHOTOGRAPHY)
­That part of
the landscape imaged in a horizontal or oblique
photograph that is closer than the principal object to
the camera. (ASP)
GUIDE NUMBER
­Values assigned to photographic
flood and flash lamps according to American
Standard to rate their light output in terms useful in
exposure calculation. The guide number for a
particular lamp used with a particular film is divided
by the distance in feet from the lamp to the subject
to find the f/number.
HALATION
­A halo or ghost image surrounding the
true image of a bright object on a photographic
emulsion, caused by reflection of rays of light from
the back of the negative material.
FRAME
­(l) Any single exposure contained within a
continuous sequence of photographs. (2) The
smallest unit in television or film-a single picture.
A complete scanning cycle of the two fields every
l/30 second. A frame equal to 525 scanning lines.
FREEZE FRAME
­Arrested motion that is perceived
as a still shot.
FULL APERTURE
­The maximum opening of a lens
diaphragm. (PIA)
FULL STOP
­The standard series of diaphragm
markings, or stop openings, that are 0.7, 1.0, 1.4,
2.0, 2.8, 4.0, 5.6, 8, 11, 16, 22, 32, 45, 64, 90, and
128.
FUZZINESS
­Lack of image sharpness caused by a
defective lens, poor focus, movement, and so forth.
GAIN
­The level of amplification for video or audio
signals. Increasing the video gain increases the
picture contrast.
AI-8
GENERATION
­The number of dubs or copies sway
from the original recording. The greater number of
generations, the greater loss of picture quality.
GRADUATE
­A container for liquids marked off to
measure various volumes. (PIA)
GRAIN
­The discrete particles of image silver in
photographs. The random distribution of these
particles in an area of uniform exposure gives rise
to the appearance known as "graininess."
GRAININESS
­The subjective impression of non-
uniformity in an area of a photograph corresponding
to uniform exposure, most often noticeable in
enlargements with a magnification of 10 or more.
GRANULARITY
­An objective quantitative measure
of graininess.
GROUND GLASS
­A sheet of glass with a grained or
matte (translucent) surface, a focusing screen,
diffusing screen, and so forth. (PIA)
HALFTONE
­Reproduction of a photograph in which
the gradation of tone is reproduced by various sized
dots and intermittent white spaces caused by
interposing a screen between the lens and the film.
(IABPAI)
HALIDE
­Any compound of chlorine, iodine, bromine,
or fluorine, and silver. Silver bromide, silver
chloride, and silver iodide are the light-sensitive
materials in silver emulsions.
HANGER, FILM
­A frame, usually of metal or plastic,
for holding one or more photographic films to
facilitate handling during processing.
HARDENER
­A chemical that increases the melting
point of gelatin in photographic layers and prevents
softening in warm-processing baths. Hardeners
commonly used in photographic processing baths
are aluminum potassium sulfate, chromium
potassium sulfate, and formaldehyde solution.
(PIA)
HAZE
­The presence of foreign matter in the
atmosphere to an extent sufficient to reduce even
slightly its transparency.
HEAD-ON SHOT
­A directionless shot in which the
subject comes directly toward the camera. Used to
change screen direction.
HEADS
­A small assembly within an audio or video
recording system that can erase, record, or playback
the signal in electromagnetic impulses.
HELICAL SCAN, OR HELICAL VTR (ALSO
CALLED SLANT TRACK)
­A videotape
recording or a videotape recorder in which the video
signal is put on tape in a slanted, diagonal way.
Because the tape wraps around the head drum in a
spiral-like configuration, it is called helical.
HIGH-ANGLE SHOT
­A scene photographed on a
downward angle; the camera being placed above the
action.

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