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and the filter factor is 3. The correct exposure is 1/20 second (1/60 x 3 = 1/20 second). However, most cameras do not have a 1/20 second shutter speed; therefore, use 1/15 second or the next slowest shutter speed. camera lens and adjust the exposure in the normal filters may give faulty readings if used with TTL metering systems because the meter reads 18 percent gray. The camera light meter may not be sensitive to the color of light passed by the filter. and printing filters. The printing filters include variable illumination from a sodium-vapor lamp. The color of a sodium-vapor lamp does not affect (expose) light-sensitive materials under prescribed darkroom conditions. The word safe is misleading since light- sensitive materials are never completely safe from Compatible safelight filters for use with certain light-sensitive materials should be selected on the basis of color sensitivity and emulsion speed of the material. The best method of selecting a darkroom safelight filter is to use the filter recommended by the manufacturer of the light-sensitive material. Safelight filters absorb that portion of the visible spectrum produced by a tungsten lamp that would affect the light-sensitive material being handled. produces a very narrow band of visible light in the yellow-orange portion of the spectrum. Colorblind printing papers are not sensitive to this monochromatic (one color) band of light, whereas the human eye is very sensitive to it. Therefore, a brighter print room is possible without the light affecting the printing paper. By using specially designed filters that further reduce the narrow band of sodium-vapor light, black-and-white materials sensitive to green and red light can be handled under this illumination. Table 3-7 provides some examples for the application of safelight filters. Always consult the Photo-Lab-Index to determine the best safelight for use with various light-sensitive materials. PRINTING FILTERS yellow filters. The magenta filters are used to print black-and-white negatives that are low in contrast. Basic Photography Course |
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