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playback recording medium. No chemicals or darkroom tech- niques are required to produce these images. Once the image is captured on the floppy disk, it can be transmitted over the telephone lines, edited, and printed using a video printer-all under normal room-lighting conditions. depends on the characteristics of the paper material. While the many types of photographic papers differ in their characteristics, they all basically consist of the emulsion on a paper support or base. Photographic printing papers (both black and white and color) are manufactured in both various cut sheet sizes, ranging resin-coated. These papers are coated on both sides of the base. This clear coating is treated so the paper does not stick to the surface of other prints during processing. Polyethylene-coated papers (manufactured by Ilford) can be marked on with pencils and pens. Coated papers have water-resistant bases that provide short processing times. Most black-and-white papers with these coatings have developing agents incorporated in the emulsion. The developing agents are activated when the paper is exposed to an alkali solution. The characteristics of resin-coated paper make it ideal for machine processing, but they may also be tray-developed in a regular print developer. reflective brightness values of a scene. When the negative image is projected onto black-and-white paper, the resulting image is positive or recorded in tones of gray relative to the reflective brightness values of the original scene. A negative is usually used or viewed by transmitted light. A paper print (or simply a print) is usually viewed by reflected light and may be referred to as a reflection print or reflection positive. manipulated by providing additional exposure or by extremely short and print manipulation would not be possible. radiation-the same as that for a film emulsion. The terms colorblind, orthochromatic, and panchromatic are also used to describe the spectral sensitivities of paper emulsions. The response of a paper emulsion to blue light is achieved by the addition of sensitizing dyes to the emulsion during manufacturing. portion of the electromagnetic spectrum. The color to ultraviolet radiation, violet, blue, green, and red light. The color sensitivity of a black-and-white paper is NOT specific black-and-white negative. Panchromatic black-and-white prints from color negatives. Color is required an, if so, what color of safelight can be used. image on variable contrast papers is controlled by the specific color of the exposing light. Variable contrast papers have two emulsion layers. The top layer is a high-contrast emulsion and is sensitive to blue light. The second emulsion layer is a low-contrast emulsion and is sensitive to green light (fig. 2-7). When a normal contrast negative is exposed through a variable contrast filter with blue light, a harsh, contrasty print is produced. Basic Photography Course |
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