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paper with green light, a flat or not enough contrast print is produced. When the normal-contrast negative is printed with the proper combination of blue and green light, a print with natural contrast is produced; therefore, to control contrast when using variable contrast papers, you can use a series of yellow and magenta filters to control the amount of blue and green printing light films, color printing paper can be identified by the suffixes "color" and "chrome." These papers are designed for printing color negatives and color transparencies, respectively. comparison to color films (fig. 2-8). The top emulsion layer is sensitive to red light and produces cyan dyes, the middle emulsion layer is sensitive to green light and produces magenta dyes, and the bottom emulsion layer is sensitive to blue light and produces yellow dyes. lustre, pearl, and glossy. The use of different paper surfaces depends on the final application of the photograph. There are two paper surfaces that arc used frequently in Navy imaging facilities: glossy and matt. Paper that has a smooth, glossy surface provides a print with higher contrast and higher densities or color saturations, resulting in an apparently sharper image. This is due to the direct reflection quality of the paper surface (fig. 2-9, view A). Glossy papers are always used for photographic prints that are used to show fine detail, such as equipment damage or intelligence photographs. B). Because of the lower contrast, subject detail does not appear as sharp as an image on glossy paper. Matt papers are used commonly for portraiture and scenic photographs. FILMS AND PAPERS these materials. You should particularly avoid unnecessary contact between an emulsion surface and any other object. Only handle light-sensitive materials lightproof. The workbench and your hands should be Basic Photography Course |
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